What should be worn for a session?

The answer to this largely depends on the size of tintype you are wanting + everything you want included in the photo - I strongly recommend the following:

4x6 Horizontal: 2-3 people
4x6 Vertical: Solo or two people - at most 2 people + a dog(:

5x7 Horizontal: 2-5 people
5x7 Vertical: 2-4 (4 could be pushing it)

8x8: Could creatively fit in about 10 or more people!

Exceeding these numbers can result in cramped, uncomfortable positioning and loss of clear, detailed representations of each person.

HOW MANY PEOPLE CAN FIT INTO A PHOTO?

Short version:
 A tintype photo can last for generations, even up to 150 years or more, IF well cared for. Its durability is due to the metal plate, which resists environmental damage more than delicate photographic materials. Find the long version down below.

HOW LONG CAN A TINTYPE LAST?

Since tintypes, which are created on metal plates, often produce a dramatic, high-contrast effect, choosing the right clothing materials can make a big difference in the final result. Here are the best fabrics to consider for tintype portraits:

 Solid, Dark Fabrics: Dark, rich fabrics like black velvet, wool, or heavy cotton work particularly well. These materials create a strong contrast against the light areas of the photograph, helping to emphasize the facial features and bring attention to the subject. Dark colors also absorb light, which can contribute to a more flattering image.

 Textured Fabrics: Fabrics with texture, such as linen, tweed, or silk, can add a visual interest to the image, making the photograph feel more dynamic and multidimensional. Textures can catch the light in interesting ways, giving depth to the image without overwhelming it.

 Drapey Fabrics: Soft, flowing fabrics like silk, satin, or fine wool create a sense of movement and elegance in tintype portraits. These fabrics can also help to soften harsh contrasts and give a more refined, timeless look to the image.

 Patterns and Subtle Prints: While bold or busy patterns can distract from the subject, more subtle patterns or textures (like fine stripes or small checks) can add dimension without being overwhelming. Small patterns tend to work better than large ones, which can be too dominant in the high-contrast nature of a tintype.

 Natural Fibers: Fabrics made from natural fibers, such as cotton, linen, and wool, often produce more pleasing results. These materials have a depth and warmth that synthetic fabrics sometimes lack, creating a more authentic and classic appearance in tintype photography.

Proper Storage: To ensure the tintype lasts as long as possible, it should be stored in a cool, dry place away from direct sunlight and humidity. A protective case or frame with UV-protective glass is ideal to shield the photo from dust, dirt, and physical damage.

 Physical Protection: Since tintypes are made on thin sheets of metal, they can be prone to scratches, dents, or bending. Keeping them in a protective cover or album can help preserve the integrity of the surface.

 Avoiding Abrasive Cleaning: Cleaning a tintype should be done gently, with a soft, dry cloth if necessary. Harsh cleaning chemicals or abrasive materials can damage the surface or alter the image.

 Environmental Factors: Extreme temperature fluctuations or high humidity can degrade the quality of the tintype over time. Keeping them away from damp areas or places with high heat (like attics or basements) will help ensure their longevity. 

 Chemical Stability: While the metal base of the tintype is durable, the photographic emulsion (which is made of silver and collodion) can deteriorate if exposed to certain elements. Tintypes are less susceptible to fading compared to other photographic processes, but exposure to air and light over long periods can still cause gradual fading if not properly protected.

See you behind the lens!